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<channel>
	<title>Anjuli Rathod</title>
	<link>https://anjulirathod.com</link>
	<description>Anjuli Rathod</description>
	<pubDate>Fri, 07 Jun 2024 17:25:56 +0000</pubDate>
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	<item>
		<title>The Unbelievable Truth</title>
				
		<link>https://anjulirathod.com/The-Unbelievable-Truth</link>

		<pubDate>Fri, 07 Jun 2024 17:25:56 +0000</pubDate>

		<dc:creator>Anjuli Rathod</dc:creator>

		<guid isPermaLink="true">https://anjulirathod.com/The-Unbelievable-Truth</guid>

		<description>
	The Unbelievable Truth


Harkawik
New York, NY
April 26 - May 25, 2024
	The paint that covers over the thing itself, historical sealant of re-presentation, has become indecent in Anjuli Rathod’s works. It is bare and exposed. There is nothing for it to cover over. For loss is both no-thing and simultaneously the mark of the effaced (mark or otherwise). The latter, however, nearly dissolves in itself—a water-based mixture Rathod paints with which occasions a wispiness—vulnerable to time, as in visibly effected temporally, and materializing into the mutable, if not forgotten, trace. So, the image falls away. Fallen, but not to nothing. In such ruins what remains is loss of world and of self in this doubling inertia of representation of loss and of representation itself. The latter is another always already lost: infinite mirroring. Just as Rathod hazards to not impose meaning, perhaps more emphatically, she does not impose cathartic, mythological processes that imply reverence nor pathological processes that inspire reprehension. Regarding meaning, however, the crushing weight of that singular heaviness that belongs to the tradition of painting remains a burden. It bears the remembrance and forgetting of such weight. In other words, the works, inescapably within the history of painting, still make see—but against and with the impasse.

A legible psychic vocabulary, impasse and beyond, is made seen by the recurrent content in the paintings. There is a directed fecundity to the psychic economies within Rathod’s works in terms of the reproduction of specific forms (arguably symbol and symptom) and imagery associated with birth and its aftermath—including mortality and the cosmological. Tubular forms recall the bodily of umbilical cords, intestines and blood vessels, while barred receptacles that evoke both the nautical and an infant’s crib navigate omnidirectional passages. The tubular and the nautical signal containers of/for dynamic passage with both forms quite literally carrying and framing the maternal, loss or trauma. In various paintings, the blood vessels transport caterpillars, cocooned caterpillars and butterflies in progressive sequence while in Ruptured Vein, the veins carry what appears to be blood cells. At the point of rupture, the ends of the veins, blood cells included, connect to severed heads. Elsewhere veins are converted into tethers joining animals to a baby mobile. In other sites, the crib-ship’s bars take on a viscosity that mimics the gelatinous of the tubular forms. Are they all one dis-continuous line—the same veins that pulse through our bodies? Metamorphoses take place interior and exterior to the tubular form as do breaks and continuity. There is no definite external to the internal and marked borders are porous if not, at times, merging through these events of transformation. In A River Runs Through, the break is not named (in the title), and yet a butterfly leaks out from the tubular vessel that goes into the crib-ship structure. The butterfly floats in the rushing river that seeps into the crib-ship through its gaps. Porous, viscid and malleable forms parallel the uncertainty of the temperamental translucency coloring the canvases. Susceptibility drives the painting and loss marks it.

It is the point that cannot be fully reached and yet what we drive towards and with. In Stitched, a far more abstracted work, numerals float while three pliable sewing needles’ eyes pass through the same thread that intersects a “3”. Other threads cut throughout the frame while a face emerges from a rounded body of multicolored water. The face is pierced through with another sewing needle while the colored sections of the water somehow do not bleed uniformly into one another and create clean sections of color. Cuts, passes, varying thresholds abound as the painting comes into focus as a viable portion of a clock. The threads function as clock hands that do not exclusively indicate world-historical time, all its violence concentrated from instant to instant, but reference a longer cosmic time as well. The clock does not measure. Rather, it acknowledges various timelines including that of forgetting, masking and memory. It is from what is effaced, then, that Rathod rebuilds and ever towards that lost origin.

—Perwana Nazif




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&#60;img width="2400" height="2286" width_o="2400" height_o="2286" data-src="https://freight.cargo.site/t/original/i/41093d7458923e4eff9bb6661e5d64e0bf01d3895ebef8dfbc2650f27a07ba04/88f4b7debe5b5a12d43c50fbb7fc6e2c.2400.jpg" data-mid="212493764" border="0"  src="https://freight.cargo.site/w/1000/i/41093d7458923e4eff9bb6661e5d64e0bf01d3895ebef8dfbc2650f27a07ba04/88f4b7debe5b5a12d43c50fbb7fc6e2c.2400.jpg" /&#62;

The Unbelievable Truth, 2023. Acrylic, flashe, watercolor, and soft pastel on canvas. 60”h x 64”w. Photo courtesy: Harkawik



&#60;img width="2400" height="2267" width_o="2400" height_o="2267" data-src="https://freight.cargo.site/t/original/i/f86bb78fa1a03247b64a80cba468790f4276661c7d76f74d408515ef70f96217/8636724cafbec194c52d015b103bf7e6.2400.jpg" data-mid="212493766" border="0"  src="https://freight.cargo.site/w/1000/i/f86bb78fa1a03247b64a80cba468790f4276661c7d76f74d408515ef70f96217/8636724cafbec194c52d015b103bf7e6.2400.jpg" /&#62;
Cradle, 2023. Acrylic, flashe, watercolor, and soft pastel on canvas. 60”h x 64”w. Photo courtesy: Harkawik


&#60;img width="2062" height="2400" width_o="2062" height_o="2400" data-src="https://freight.cargo.site/t/original/i/3ec77af1ad837ea290382d99a937ab078373b1b74f9f4e538cf5e252fc073d65/8574dfe26612e5e7854861d9190f1980.2400.jpg" data-mid="212493765" border="0"  src="https://freight.cargo.site/w/1000/i/3ec77af1ad837ea290382d99a937ab078373b1b74f9f4e538cf5e252fc073d65/8574dfe26612e5e7854861d9190f1980.2400.jpg" /&#62;
Prism, 2023. Acrylic, flashe, and watercolor on canvas. 46”h x 38”w. Photo courtesy: Harkawik


&#60;img width="2400" height="2112" width_o="2400" height_o="2112" data-src="https://freight.cargo.site/t/original/i/1b86ac30c776fac8f7a73bdaa4732bc143e9e5c6fc5aa8725d746067fb7a4eb4/f31338b2b5b762236d503d93c76ff6a1.2400.jpg" data-mid="212493770" border="0"  src="https://freight.cargo.site/w/1000/i/1b86ac30c776fac8f7a73bdaa4732bc143e9e5c6fc5aa8725d746067fb7a4eb4/f31338b2b5b762236d503d93c76ff6a1.2400.jpg" /&#62;
Mobile, 2023. Acrylic, flashe, and watercolor on canvas. 34”h x 40”w. Photo Courtesy: Harkawik


&#60;img width="2400" height="2105" width_o="2400" height_o="2105" data-src="https://freight.cargo.site/t/original/i/f2630c47756405c1696c9e16bb6d42e002b507cb3ae7d15493603b74dabd75d5/ae00b7a6f6b1dc3ef55956ac68860721.2400.jpg" data-mid="212493768" border="0"  src="https://freight.cargo.site/w/1000/i/f2630c47756405c1696c9e16bb6d42e002b507cb3ae7d15493603b74dabd75d5/ae00b7a6f6b1dc3ef55956ac68860721.2400.jpg" /&#62;

Cord, 2023. Acrylic, flashe, watercolor, and soft pastel on canvas. 34”h x 40”w. Photo Courtesy: Harkawik


&#60;img width="2400" height="2112" width_o="2400" height_o="2112" data-src="https://freight.cargo.site/t/original/i/fab24065b131577472e7b21f13781746a4632397dc9ae4ea52d83e5442b9019a/4e7c88cba0d722c193c51740992f6564.2400.jpg" data-mid="212493763" border="0"  src="https://freight.cargo.site/w/1000/i/fab24065b131577472e7b21f13781746a4632397dc9ae4ea52d83e5442b9019a/4e7c88cba0d722c193c51740992f6564.2400.jpg" /&#62;
Braid, 2023. Acrylic, flashe, watercolor, and soft pastel on canvas. 34”h x 40”w. Photo Courtesy: Harkawik


&#60;img width="2400" height="2287" width_o="2400" height_o="2287" data-src="https://freight.cargo.site/t/original/i/7743b0589ece83d20b57eca079cb2da87662dad711748077d4ddf7d8b80de589/bb6c43f11eec6232e1c51e9cd308083c.2400.jpg" data-mid="212493769" border="0"  src="https://freight.cargo.site/w/1000/i/7743b0589ece83d20b57eca079cb2da87662dad711748077d4ddf7d8b80de589/bb6c43f11eec6232e1c51e9cd308083c.2400.jpg" /&#62;
A River Runs Through, 2023. Acrylic, flashe, watercolor, and soft pastel on canvas. 60”h x 64”w. Photo courtesy: Harkawik


&#60;img width="2400" height="2266" width_o="2400" height_o="2266" data-src="https://freight.cargo.site/t/original/i/56704e7e8bcf03ef910c33b9d74b86623036f8456b79b91b3a0a805ba83fc114/0f27bba1e30256601d85e3bc1ceb8de8.2400.jpg" data-mid="212493762" border="0"  src="https://freight.cargo.site/w/1000/i/56704e7e8bcf03ef910c33b9d74b86623036f8456b79b91b3a0a805ba83fc114/0f27bba1e30256601d85e3bc1ceb8de8.2400.jpg" /&#62;
Ruptured Vein, 2023. Acrylic, flashe, watercolor, and soft pastel on canvas. 60”h x 64”w. Photo courtesy: Harkawik


&#60;img width="2400" height="2299" width_o="2400" height_o="2299" data-src="https://freight.cargo.site/t/original/i/ddfdd4287fa1809fb8666ad5b0cc5fe982e8b1821d5ad38a8ae4dbe31ce1ae9f/126150377b9d9c9a3343293c92b928f6.2400.jpg" data-mid="212493767" border="0"  src="https://freight.cargo.site/w/1000/i/ddfdd4287fa1809fb8666ad5b0cc5fe982e8b1821d5ad38a8ae4dbe31ce1ae9f/126150377b9d9c9a3343293c92b928f6.2400.jpg" /&#62;
Horizon Lines, 2024. Acrylic, flashe, watercolor, and soft pastel on canvas. 60”h x 64”w. Photo courtesy: Harkawik
</description>
		
	</item>
		
		
	<item>
		<title>Chrysalis</title>
				
		<link>https://anjulirathod.com/Chrysalis</link>

		<pubDate>Mon, 10 Oct 2022 17:11:01 +0000</pubDate>

		<dc:creator>Anjuli Rathod</dc:creator>

		<guid isPermaLink="true">https://anjulirathod.com/Chrysalis</guid>

		<description>
	ChrysalisHarkawik
Los Angeles, CA&#38;nbsp;
September 2 - October 4, 2022

	In Chrysalis, life, where it lives, when it leaves, the spirit, and interactions with such entities that can only take place in the gut are made visual. Life, as death, is liquid, and Anjuli Rathod renders the transformative in layers of water based paint. The life cycle of spirit, of presence, emotion, wet on the canvas, creates a luminescent image of what is left behind as the colors’ ability to move dries up. 

A chrysalis is a chamber of dead skin built for transformation. A body within which a worm becomes paper thin. When it exits its husk, it floats on air. The exhausted flesh hangs from silk on the branch. We consider the butterfly beautiful, yet we imagine this insect trapped in our guts when we are unsettled. Sometimes this unsettled feeling is called love, the nausea of emotional connectivity with a specter projected from the mind onto animated flesh. We see the memory of something that used to move in someone’s lifetime in the blank space left behind where only light lands. I love you, and I know this, because my guts are crawling with insects. I miss you, and I know this, because my guts are fluttering with a winged infestation. My body holds the evidence of a completed transformation that makes me sick when I think of you. I love you. I miss you. Please forgive me. 

In his 1942 essay, Water and Dreams, Gaston Bachelard said, “A being dedicated to water is a being in flux. He dies every minute. The pain of water is infinite.” When are we let go? Water is life, and water is dying. When they cross the river, memory drips from our faces in streams of confusion, because we can not see the traveler. We imagine them. Everything we see is light, and everything we feel is presence. We relive the terror of loss in the moments of their visitation, even if we are dying to be with them again. It’s a trap inside of a labyrinth. Grief and terror are felt in the body. Peace lives in the soul. Human life is in divine contradiction. We ascribe the spiritual nausea to a winged creature at the end of its promise, to an angel, to love, to avoid calling it what we know in our guts it really is: an awareness of the unknown.

—Toniann Fernandez



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	&#60;img width="8752" height="7759" width_o="8752" height_o="7759" data-src="https://freight.cargo.site/t/original/i/338fd15a47aeddbb153aa934e9634bf32795a05639335fbdb2463631e34347e1/chrysalis.jpg" data-mid="155397589" border="0"  src="https://freight.cargo.site/w/1000/i/338fd15a47aeddbb153aa934e9634bf32795a05639335fbdb2463631e34347e1/chrysalis.jpg" /&#62;
Chrysalis, watercolor, acrylic and flash on canvas, 52x60 inches, 2022


	&#60;img width="7954" height="8748" width_o="7954" height_o="8748" data-src="https://freight.cargo.site/t/original/i/cf461d7d51449611ecf09656514aac2538d37fa74e0d2d6a23e267493db9410c/underwater.jpg" data-mid="155397618" border="0"  src="https://freight.cargo.site/w/1000/i/cf461d7d51449611ecf09656514aac2538d37fa74e0d2d6a23e267493db9410c/underwater.jpg" /&#62;
Underwater, watercolor, acrylic and flash on canvas, 54x60 inches, 2022


	&#60;img width="8745" height="7477" width_o="8745" height_o="7477" data-src="https://freight.cargo.site/t/original/i/dc9f96217cc0b47ba2b8333e5ad7d6f4679301c591c0d43636df3b09d5334958/asking-forgiveness.jpg" data-mid="155397670" border="0"  src="https://freight.cargo.site/w/1000/i/dc9f96217cc0b47ba2b8333e5ad7d6f4679301c591c0d43636df3b09d5334958/asking-forgiveness.jpg" /&#62;
Asking Forgiveness, watercolor, acrylic and flash on canvas, 40x48 inches, 2022


	&#60;img width="5208" height="6218" width_o="5208" height_o="6218" data-src="https://freight.cargo.site/t/original/i/7187aa71789eab01b89bbd80d29fa71f4494a84a5f4864795a9ed8c094610c96/flame.jpg" data-mid="155397765" border="0"  src="https://freight.cargo.site/w/1000/i/7187aa71789eab01b89bbd80d29fa71f4494a84a5f4864795a9ed8c094610c96/flame.jpg" /&#62;
Flame, watercolor, acrylic and flash on canvas, 20x16 inches, 2021


	&#60;img width="1770" height="1482" width_o="1770" height_o="1482" data-src="https://freight.cargo.site/t/original/i/a8a24cfecd086c90c794c3eebee65aaa982e8e20b6cfb7818ebc938209b3a4e6/above-all-angels.jpg" data-mid="155397802" border="0"  src="https://freight.cargo.site/w/1000/i/a8a24cfecd086c90c794c3eebee65aaa982e8e20b6cfb7818ebc938209b3a4e6/above-all-angels.jpg" /&#62;
Above All Angels, watercolor, acrylic and flash on canvas, 26x32 inches, 2022


	&#60;img width="5360" height="6256" width_o="5360" height_o="6256" data-src="https://freight.cargo.site/t/original/i/4dd8a2eba0ff8d5e3cfd0e24f4d3a1ab07548e1613f66d0b6dfc33d0ee3a6286/untitled.jpg" data-mid="155397955" border="0"  src="https://freight.cargo.site/w/1000/i/4dd8a2eba0ff8d5e3cfd0e24f4d3a1ab07548e1613f66d0b6dfc33d0ee3a6286/untitled.jpg" /&#62;
Untitled,&#38;nbsp; acrylic and flash on canvas, 10x8 inches, 2020


	&#60;img width="8757" height="7464" width_o="8757" height_o="7464" data-src="https://freight.cargo.site/t/original/i/f6941b5d26134067b3b4d6ab5e4c42327b6197cab7159abb07fdf8cda7a42745/passage.jpg" data-mid="155398040" border="0"  src="https://freight.cargo.site/w/1000/i/f6941b5d26134067b3b4d6ab5e4c42327b6197cab7159abb07fdf8cda7a42745/passage.jpg" /&#62;
Passage, watercolor, acrylic and flash on canvas, 40x48 inches, 2021

</description>
		
	</item>
		
		
	<item>
		<title>Open Portal</title>
				
		<link>https://anjulirathod.com/Open-Portal</link>

		<pubDate>Fri, 28 Jan 2022 23:55:30 +0000</pubDate>

		<dc:creator>Anjuli Rathod</dc:creator>

		<guid isPermaLink="true">https://anjulirathod.com/Open-Portal</guid>

		<description>
	Open Portal
Y2K Group
New York, NY&#38;nbsp;
October 17 – November 21, 2020

	




	
&#60;img width="899" height="1000" width_o="899" height_o="1000" data-src="https://freight.cargo.site/t/original/i/0b96da846122fdb9b78b5684c0f057fbdc40f9825d25865908292666f28ae15a/crystallinesml.jpg" data-mid="131851802" border="0" alt="Crystalline, acrylic and flash on canvas, 18x16 inches, 2020" data-caption="Crystalline, acrylic and flash on canvas, 18x16 inches, 2020" src="https://freight.cargo.site/w/899/i/0b96da846122fdb9b78b5684c0f057fbdc40f9825d25865908292666f28ae15a/crystallinesml.jpg" /&#62;
&#60;img width="816" height="1000" width_o="816" height_o="1000" data-src="https://freight.cargo.site/t/original/i/1fa9090eea4bbc5ad09ef674be73dadd64ab63fbbc1286e7ea8a9f3eb8736c80/doublesml.jpg" data-mid="131851036" border="0" alt="The Double, acrylic and flash on canvas, 14x11 inches, 2020" data-caption="The Double, acrylic and flash on canvas, 14x11 inches, 2020" src="https://freight.cargo.site/w/816/i/1fa9090eea4bbc5ad09ef674be73dadd64ab63fbbc1286e7ea8a9f3eb8736c80/doublesml.jpg" /&#62;
&#60;img width="1000" height="883" width_o="1000" height_o="883" data-src="https://freight.cargo.site/t/original/i/7d14324ecce456db86936b7a715312d753fa19d8fc87708135cb6eec99a5363b/cocoonsml.jpg" data-mid="131850928" border="0" alt="Cocoon, acrylic and flash on canvas, 48x54 inches, 2020" data-caption="Cocoon, acrylic and flash on canvas, 48x54 inches, 2020" src="https://freight.cargo.site/w/1000/i/7d14324ecce456db86936b7a715312d753fa19d8fc87708135cb6eec99a5363b/cocoonsml.jpg" /&#62;
&#60;img width="887" height="1000" width_o="887" height_o="1000" data-src="https://freight.cargo.site/t/original/i/09f70c04c80448de76a6c3ee56cce6ec0e6f5879581197b46bab5e1104a81722/shimmeringsml.jpg" data-mid="131850867" border="0" alt="Shimmering, acrylic and flash on canvas, 30x26 inches, 2020" data-caption="Shimmering, acrylic and flash on canvas, 30x26 inches, 2020" src="https://freight.cargo.site/w/887/i/09f70c04c80448de76a6c3ee56cce6ec0e6f5879581197b46bab5e1104a81722/shimmeringsml.jpg" /&#62;
&#60;img width="849" height="1000" width_o="849" height_o="1000" data-src="https://freight.cargo.site/t/original/i/0557542daf7d68d15714024e2e7d65229bddd1792a7c5c9421bc349cbe5afd91/somewheresml.jpg" data-mid="131850920" border="0" alt="Somewhere, a dream, acrylic and flash on canvas, 46x38 inches, 2020" data-caption="Somewhere, a dream, acrylic and flash on canvas, 46x38 inches, 2020" src="https://freight.cargo.site/w/849/i/0557542daf7d68d15714024e2e7d65229bddd1792a7c5c9421bc349cbe5afd91/somewheresml.jpg" /&#62;
&#60;img width="813" height="1000" width_o="813" height_o="1000" data-src="https://freight.cargo.site/t/original/i/6896b7ed6492706824e16fd27e872d0c578cb0470b06098f0304b2548f95b2cb/alittlelightsml.jpg" data-mid="131851130" border="0" alt="A Little Light, acrylic and flash on canvas, 14x11 inches, 2020" data-caption="A Little Light, acrylic and flash on canvas, 14x11 inches, 2020" src="https://freight.cargo.site/w/813/i/6896b7ed6492706824e16fd27e872d0c578cb0470b06098f0304b2548f95b2cb/alittlelightsml.jpg" /&#62;
&#60;img width="3000" height="2248" width_o="3000" height_o="2248" data-src="https://freight.cargo.site/t/original/i/c5f690ecf5b5e61f35bab47c3fd3ebbd3c2247ad1b955affec20a40c8c79c423/install3.jpg" data-mid="131851203" border="0"  src="https://freight.cargo.site/w/1000/i/c5f690ecf5b5e61f35bab47c3fd3ebbd3c2247ad1b955affec20a40c8c79c423/install3.jpg" /&#62;
&#60;img width="2248" height="3000" width_o="2248" height_o="3000" data-src="https://freight.cargo.site/t/original/i/3b6fc96afefffee059b2b6909f9d53d410e4d479d42f4a324ff6491e27559b43/install1.jpg" data-mid="131851218" border="0"  src="https://freight.cargo.site/w/1000/i/3b6fc96afefffee059b2b6909f9d53d410e4d479d42f4a324ff6491e27559b43/install1.jpg" /&#62;
&#60;img width="2248" height="3000" width_o="2248" height_o="3000" data-src="https://freight.cargo.site/t/original/i/57422809abff9b4047b166bdd648a4e19d803cc08020c4f677e2bad484c23ce1/install4.jpg" data-mid="131851217" border="0"  src="https://freight.cargo.site/w/1000/i/57422809abff9b4047b166bdd648a4e19d803cc08020c4f677e2bad484c23ce1/install4.jpg" /&#62;
&#60;img width="3000" height="2248" width_o="3000" height_o="2248" data-src="https://freight.cargo.site/t/original/i/6875327720cb4b8171b03f68e0faa214d998263fdccf1c9139a3b650792df669/install2.jpg" data-mid="131850824" border="0" data-marker-id="3" src="https://freight.cargo.site/w/1000/i/6875327720cb4b8171b03f68e0faa214d998263fdccf1c9139a3b650792df669/install2.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>What fires, a burning room</title>
				
		<link>https://anjulirathod.com/What-fires-a-burning-room</link>

		<pubDate>Fri, 28 Jan 2022 23:55:31 +0000</pubDate>

		<dc:creator>Anjuli Rathod</dc:creator>

		<guid isPermaLink="true">https://anjulirathod.com/What-fires-a-burning-room</guid>

		<description>
	What fires, a burning room
Interstate ProjectsBrooklyn, NY
February 8 – March 17, 2019

	





&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/05a81884db519296b0a83db3f90ce0904393843f7e4e725699b9ba3bd47a9422/_SP_6616-2-web.jpg" data-mid="131852625" border="0"  src="https://freight.cargo.site/w/1000/i/05a81884db519296b0a83db3f90ce0904393843f7e4e725699b9ba3bd47a9422/_SP_6616-2-web.jpg" /&#62;
&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c22f8ab150be6b05ef1ec0dcd7109328de3033180ef0ad1c88209e828425ee93/_SP_6621-2-web.jpg" data-mid="131852605" border="0"  src="https://freight.cargo.site/w/1000/i/c22f8ab150be6b05ef1ec0dcd7109328de3033180ef0ad1c88209e828425ee93/_SP_6621-2-web.jpg" /&#62;
&#60;img width="1800" height="1178" width_o="1800" height_o="1178" data-src="https://freight.cargo.site/t/original/i/750e40f47882f8607703793135426200a732ba50752d496c55a84a64662d712d/_SP_6625-2-web.jpg" data-mid="131852767" border="0"  src="https://freight.cargo.site/w/1000/i/750e40f47882f8607703793135426200a732ba50752d496c55a84a64662d712d/_SP_6625-2-web.jpg" /&#62;
&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/6b53eac361cdb26bf053a378e19ca0a2b546ad0d9312045d2962c74a8fdc7794/_SP_6617-2-web.jpg" data-mid="131852666" border="0"  src="https://freight.cargo.site/w/1000/i/6b53eac361cdb26bf053a378e19ca0a2b546ad0d9312045d2962c74a8fdc7794/_SP_6617-2-web.jpg" /&#62;
&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/05a81884db519296b0a83db3f90ce0904393843f7e4e725699b9ba3bd47a9422/_SP_6616-2-web.jpg" data-mid="131852665" border="0"  src="https://freight.cargo.site/w/1000/i/05a81884db519296b0a83db3f90ce0904393843f7e4e725699b9ba3bd47a9422/_SP_6616-2-web.jpg" /&#62;
&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/6b53eac361cdb26bf053a378e19ca0a2b546ad0d9312045d2962c74a8fdc7794/_SP_6617-2-web.jpg" data-mid="131852639" border="0"  src="https://freight.cargo.site/w/1000/i/6b53eac361cdb26bf053a378e19ca0a2b546ad0d9312045d2962c74a8fdc7794/_SP_6617-2-web.jpg" /&#62;



	
	

	&#60;img width="1800" height="1614" width_o="1800" height_o="1614" data-src="https://freight.cargo.site/t/original/i/c1191c48b45448e1559acfb784a17567afc657630c4b56f2ece46cfb5ae46d0a/_SP_6642-2-web.jpg" data-mid="131852789" border="0"  src="https://freight.cargo.site/w/1000/i/c1191c48b45448e1559acfb784a17567afc657630c4b56f2ece46cfb5ae46d0a/_SP_6642-2-web.jpg" /&#62;
Sleep shapes, acrylic and flashe on canvas, 48x54 inches, 2019



	&#60;img width="1800" height="1611" width_o="1800" height_o="1611" data-src="https://freight.cargo.site/t/original/i/d35d51d98f5f5efaeb1475fa41d0cbfc5ad2823e1a1772cf83e1e82d92879498/_SP_6640-2-web.jpg" data-mid="131852832" border="0"  src="https://freight.cargo.site/w/1000/i/d35d51d98f5f5efaeb1475fa41d0cbfc5ad2823e1a1772cf83e1e82d92879498/_SP_6640-2-web.jpg" /&#62;

Burial, acrylic and flashe on canvas, 48x54 inches, 2019

&#60;img width="1519" height="1800" width_o="1519" height_o="1800" data-src="https://freight.cargo.site/t/original/i/f7d8bdb2f57e64486f73c2558777447bd15ea8a0b2fd60d5b07fcb07d229da53/_SP_6637-2-web.jpg" data-mid="131852855" border="0"  src="https://freight.cargo.site/w/1000/i/f7d8bdb2f57e64486f73c2558777447bd15ea8a0b2fd60d5b07fcb07d229da53/_SP_6637-2-web.jpg" /&#62;
Refraction, acrylic and flashe on canvas, 58x48 inches, 2019

&#60;img width="1510" height="1800" width_o="1510" height_o="1800" data-src="https://freight.cargo.site/t/original/i/279d4a4596c66e6d75fba02f6b0f322ad29e222775833774a14267578d7eba84/_SP_6636-2-web.jpg" data-mid="131852858" border="0"  src="https://freight.cargo.site/w/1000/i/279d4a4596c66e6d75fba02f6b0f322ad29e222775833774a14267578d7eba84/_SP_6636-2-web.jpg" /&#62;
Red girls are spiders, acrylic and flashe on canvas, 58x48 inches, 2019

&#60;img width="1528" height="1800" width_o="1528" height_o="1800" data-src="https://freight.cargo.site/t/original/i/694395a553e59c00062701f0bddf1518781b7fcba8b1284f0263c2693d0b945a/_SP_6638-2-web.jpg" data-mid="131852859" border="0"  src="https://freight.cargo.site/w/1000/i/694395a553e59c00062701f0bddf1518781b7fcba8b1284f0263c2693d0b945a/_SP_6638-2-web.jpg" /&#62;
Book of Flowers, acrylic and flashe on canvas, 46x38 inches, 2019
&#60;img width="1584" height="1800" width_o="1584" height_o="1800" data-src="https://freight.cargo.site/t/original/i/b961e1dff64736aa2bf69ce829fc288daf834c80ba67a18e047ed5f4b438158c/_SP_6633-2-web.jpg" data-mid="131852902" border="0"  src="https://freight.cargo.site/w/1000/i/b961e1dff64736aa2bf69ce829fc288daf834c80ba67a18e047ed5f4b438158c/_SP_6633-2-web.jpg" /&#62;
Mirror, acrylic and flashe on canvas, 30x26 inches, 2019

&#60;img width="1591" height="1800" width_o="1591" height_o="1800" data-src="https://freight.cargo.site/t/original/i/fa7371849dacd0c9f3d5018f3f2293c959c29f545004edc09e30db366df6185a/_SP_6635-2-web.jpg" data-mid="131852906" border="0"  src="https://freight.cargo.site/w/1000/i/fa7371849dacd0c9f3d5018f3f2293c959c29f545004edc09e30db366df6185a/_SP_6635-2-web.jpg" /&#62;
Division, acrylic and flashe on canvas, 30x26 inches, 2019

&#60;img width="1800" height="1463" width_o="1800" height_o="1463" data-src="https://freight.cargo.site/t/original/i/201a72b1a80446e2b26be0db3a487cc32d06f400c4e45cf56624312c503ae600/_SP_6639-2-web.jpg" data-mid="131852912" border="0"  src="https://freight.cargo.site/w/1000/i/201a72b1a80446e2b26be0db3a487cc32d06f400c4e45cf56624312c503ae600/_SP_6639-2-web.jpg" /&#62;
Fissure, acrylic and flashe on canvas, 33x26 inches, 2019</description>
		
	</item>
		
		
	<item>
		<title>Safe Gallery</title>
				
		<link>https://anjulirathod.com/Safe-Gallery</link>

		<pubDate>Fri, 28 Jan 2022 23:55:31 +0000</pubDate>

		<dc:creator>Anjuli Rathod</dc:creator>

		<guid isPermaLink="true">https://anjulirathod.com/Safe-Gallery</guid>

		<description>
	Serban Ionescu &#38;amp; Anjuli Rathod

Safe Gallery
Brooklyn, New York
June 7 - July 15, 2018


	




&#60;img width="1545" height="1030" width_o="1545" height_o="1030" data-src="https://freight.cargo.site/t/original/i/93b80ec58b09753df66c1c9f7f6597d9f3abe7dbdf5913d9b84b422b81061359/Safe_4.jpg" data-mid="131859147" border="0"  src="https://freight.cargo.site/w/1000/i/93b80ec58b09753df66c1c9f7f6597d9f3abe7dbdf5913d9b84b422b81061359/Safe_4.jpg" /&#62;
&#60;img width="1523" height="1015" width_o="1523" height_o="1015" data-src="https://freight.cargo.site/t/original/i/30e07b196f46a6213b3946ff396ec737ae77930323257d148714c49e72e37344/Safe_7.jpg" data-mid="131859187" border="0"  src="https://freight.cargo.site/w/1000/i/30e07b196f46a6213b3946ff396ec737ae77930323257d148714c49e72e37344/Safe_7.jpg" /&#62;
&#60;img width="1613" height="1075" width_o="1613" height_o="1075" data-src="https://freight.cargo.site/t/original/i/ca7333a2577c33b0e3562cd5c83e7d0aea9dfca2380062fda1e8652cd9598a54/Safe_8.jpg" data-mid="131859223" border="0" alt="Ceiling Prayers, acrylic and flashe on canvas, 48x54 inches, 2018" data-caption="Ceiling Prayers, acrylic and flashe on canvas, 48x54 inches, 2018" src="https://freight.cargo.site/w/1000/i/ca7333a2577c33b0e3562cd5c83e7d0aea9dfca2380062fda1e8652cd9598a54/Safe_8.jpg" /&#62;
&#60;img width="908" height="1000" width_o="908" height_o="1000" data-src="https://freight.cargo.site/t/original/i/2d71cf343e95e2ae43bb2952e1669d9f5b18fc6dc64b69b00fc8fe9e3f43b45a/Safe_9.jpg" data-mid="131859237" border="0" alt="Robin's Egg Blue, acrylic and flashe on canvas, 45x40 inches, 2018" data-caption="Robin's Egg Blue, acrylic and flashe on canvas, 45x40 inches, 2018" src="https://freight.cargo.site/w/908/i/2d71cf343e95e2ae43bb2952e1669d9f5b18fc6dc64b69b00fc8fe9e3f43b45a/Safe_9.jpg" /&#62;
&#60;img width="836" height="1000" width_o="836" height_o="1000" data-src="https://freight.cargo.site/t/original/i/a0f778a9c6ce98c79f02417716f96d2b3abd067795d86bcc81a6d07133871312/Safe_11.jpg" data-mid="131859235" border="0" alt="Roses for eyes, acrylic and flashe on canvas, 46x38 inches, 2018" data-caption="Roses for eyes, acrylic and flashe on canvas, 46x38 inches, 2018" src="https://freight.cargo.site/w/836/i/a0f778a9c6ce98c79f02417716f96d2b3abd067795d86bcc81a6d07133871312/Safe_11.jpg" /&#62;
&#60;img width="1513" height="1009" width_o="1513" height_o="1009" data-src="https://freight.cargo.site/t/original/i/68ef9cf4f2c09d370323c3a099bfeae080f051b2d34787afc868dd462bc20809/Safe_29.jpg" data-mid="131859222" border="0" alt="Lantern, acrylic and flashe on canvas, 48x54 inches, 2018" data-caption="Lantern, acrylic and flashe on canvas, 48x54 inches, 2018" src="https://freight.cargo.site/w/1000/i/68ef9cf4f2c09d370323c3a099bfeae080f051b2d34787afc868dd462bc20809/Safe_29.jpg" /&#62;
&#60;img width="795" height="993" width_o="795" height_o="993" data-src="https://freight.cargo.site/t/original/i/af547d2245a5e244f1716ac554a3647bfe8b12d225e2d328a19151a1d6307083/Safe_13.jpg" data-mid="131859271" border="0" alt="Hitchhiker, acrylic and flashe on canvas, 33x26 inches, 2017" data-caption="Hitchhiker, acrylic and flashe on canvas, 33x26 inches, 2017" src="https://freight.cargo.site/w/795/i/af547d2245a5e244f1716ac554a3647bfe8b12d225e2d328a19151a1d6307083/Safe_13.jpg" /&#62;
&#60;img width="848" height="936" width_o="848" height_o="936" data-src="https://freight.cargo.site/t/original/i/035be5e3c13007d3912332245024d9f5d465ed76d648b96c363d76bb0fd0b4c3/Safe_28.jpg" data-mid="131859333" border="0" alt="Robin's Egg Blue, acrylic and flashe on canvas, 45x40 inches, 2018" data-caption="Robin's Egg Blue, acrylic and flashe on canvas, 45x40 inches, 2018" src="https://freight.cargo.site/w/848/i/035be5e3c13007d3912332245024d9f5d465ed76d648b96c363d76bb0fd0b4c3/Safe_28.jpg" /&#62;
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		<title>Projet Pangee </title>
				
		<link>https://anjulirathod.com/Projet-Pangee</link>

		<pubDate>Fri, 28 Jan 2022 23:55:32 +0000</pubDate>

		<dc:creator>Anjuli Rathod</dc:creator>

		<guid isPermaLink="true">https://anjulirathod.com/Projet-Pangee</guid>

		<description>
	The Far Off Blue Places
Anjuli Rathod + Vanessa Brown
Projet Pangée
Montreal, Canada
October 5 to November 11, 2017

	

	




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</description>
		
	</item>
		
		
	<item>
		<title>Information</title>
				
		<link>https://anjulirathod.com/Information</link>

		<pubDate>Fri, 28 Jan 2022 23:55:30 +0000</pubDate>

		<dc:creator>Anjuli Rathod</dc:creator>

		<guid isPermaLink="true">https://anjulirathod.com/Information</guid>

		<description>b. 1987, Norristown, PA
Lives and works in New York Cityanjuli.rathod(@)gmail.com


Education
2009&#38;nbsp; Bachelor of Fine Arts, School of the Museum of Fine Arts in affiliation with Tufts University, Boston, MA
Solo/Two-person Exhibitions
2024The Unbelievable Truth, Harkawik, New York, NY (solo)2022Chrysalis, Harkawik, Los Angeles, CA (solo)2020Open Portal, Y2K Group, New York, NY (solo)2019what fires, a burning room, Interstate Projects, Brooklyn, NY (solo)2018Anjuli Rathod / Serban Ionescu, Safe Gallery, Brooklyn, NY (two person)2017The Far Off Blue Places, with Vanessa Brown, Projet Pangée, Montréal (two person)
Selected Group Exhibitions
2025Spectrum, Kristen Lorello Gallery, New York
Fools for Truth, Pangée, Montréal. Curated by Delphine Hennelly and Grace Kalyta
Warehouse Market New York Edition, curated by Warehouse (Amsterdam), Bungee Space (NYC), and Lunch Hour (NYC), Queens, NY
You Also Live in Someone’s Eyes, Bonhams, London. Curated by Vittoria Beltrame2024Means of Production, Organized by Lunch Hour. Sheerly Touch-Ya and Shisanwu LLC Warehouse, Glendale, Queens2023Afterlife, Indigo + Madder, London

Your mind is a mirror, Pangée, Montréal 
Oh, What a World, Jack Barrett Gallery, New York, NY2022Shandaken Projects Benefit Exhibition, Governors Island, NY 
Wonder Women, Jeffrey Deitch, Los Angeles, CA. Curated by Kathy Huang 
Maverick Magician Muse, Deli Gallery, New York, NY. Curated by Sydney Vernon and Gardy St. Fleur 
Wonder Women, Jeffrey Deitch, New York, NY. Curated by Kathy Huang2021Bubble Orchestra, NARS Foundation, Brooklyn, NY. Curated by Precog Magazine 
There was only this world, this looted, ventriloquized Earth, Hook Selects, online exhibition. Curated by Francesca Altamura 
Dal Segno, Y2K Group, New York
These Opalescent Dreams of Mine, Selenas Mountain, Brooklyn, NY 
A Space for Monsters, Twelve Gate Arts, Philadelphia, PA. Curated by Ambika Trasi
Speech Sounds, More Pain, New York, NY2020White Lilies, Thierry Goldberg Gallery, New York, online exhibition.
VIEWING ROOM, selected by Florencia Escudero and Nadia Haji Omar, Kristen Lorello Gallery, New York

 2019Sower, Rubber Factory, New York, NY 
Sukkot, Brooklyn, NY. Curated by Hanna Umin and Julia Eshaghpour
Family Show, Safe Gallery, Brooklyn, NY

Hypnosis, Y2K Group, New York, NY 
Object of Desire, Tiger Strikes Asteroid, Brooklyn, NY. Curated by Amanda Martinez2018SHAME, Brooklyn, NY. Curated by Eve Ackroyd
Cat Lady, Teen Party, Brooklyn, NY. Curated by Drawer
Easy Lover, Selenas Mountain, Queens, NY 
2017Cura(collected), with Oscar Moises Diaz and Eduardo Restrepo Castaño, Knockdown Center, Maspeth, NY. Organized by Sessa Englund
Introductions 2017, Trestle Gallery, Brooklyn, NY. Curated by Julie Torres&#38;nbsp;Residencies/Awards
2017Shandaken Projects, Storm King Art Center, Mountainville, NY 2016The Studios at MASS MoCA, North Adams, MA2015Millay Colony of the Arts, Austerlitz, NY; Milton &#38;amp; Sally Avery Foundation Fellowship2008AICAD: New York Studio Program, New York, NY2006Timothy F. Nichols Drawing Breath Award
Curatorial 
2016-2017 Selena Gallery, Brooklyn, NY

Selected Bibliography and Writing
Anjuli Rathod and Meena Hasan in Dialogue, The Faraway Nearby, May-September, 2025. Online and in print. Organized by Jean Chung.
Huang, Kathy. Wonder Women: Art of the Asian Diaspora. New York: Rizzoli Electa, 2025.
Russeth, Andrew. “Taking Stock: A Massive Group Show Takes Over a Queens Pantyhose Warehouse,” Artnet News, May 30, 2024.
New American Paintings, Northeast #164. February/March 2023.
Ajmani, Shreya. “Jeffrey Deitch’s Wonder Women,” MASH India, October 15, 2022.
“Anjuli Rathod at Harkawik,” Contemporary Art Daily, September 30, 2022.
“Anjuli Rathod at Harkawik,” Art Viewer, September 21, 2022.
Qureshi, Corey. “Magical and visceral, 12 Gates Arts embraces ‘A Space for Monsters’,” Artblog, March 5, 2021. 
Cruz, Christina. “Editors’ Picks: 14 Events for Your Art Calendar This Week, From International Women’s Day Celebrations to a Look at Artemisia Gentileschi’s Influences,” Artnet News, March 9, 2021.
Zhang, Jenny. “Question Mark,” N+1, Issue 39: Take Care. Winter 2021. 
Karpan, Andrew. “Three Painters On The Rise Turn To The Past,” Bushwick Daily, March 12, 2021. 
“Khichdi,” Perilla, Vol 2: FTP, Edited by Jamie Sterns, 2020.
Di Liscia,Valentina. “Gallery Partners With Florida Rights Restoration Coalition to Help People Vote,” Hyperallergic, September 24, 2020.
Burns, Emily. “Interview with Anjuli Rathod,” Maake Magazine, November, 2019.
“Lakshmi Ramgopal in Conversation with Anjuli Rathod,” Precog Magazine: Bubbles, Fall 2019
Cascone, Sarah. “Editors’ Picks: 19 Things Not to Miss in New York’s Art World This Week,” Artnet News, August 5, 2019.
Estiler, Keith “Bring Art to the Beach with These Limited Edition Artist-Designed Towels,” Hypebeast, July 31, 2019.
Maake Magazine, Issue 9, Curated by Hein Koh, Summer 2019.
the minnesota review: a journal of creative and critical writing, Issue 91. Blacksburg, VA: Duke University Press, November 2018. (cover art)
“Cura(Collected) collaborative show by artists who curate at Knockdown Center,” AQNB, January 25, 2018.
“Anjuli Rathod and Vanessa Brown at Projet Pangée,” Art Viewer, December 3, 2017.
Wililams, Kara. “The Far off Blue Places: Anjuli Rathod &#38;amp; Vanessa Brown,” The Belgo Report, November 5, 2017.
El-Sheikh, Tammer. “Anjuli Rathod &#38;amp; Vanessa Brown at Projet Pangee,” Akimbo, October 25, 2017.
“Anjuli Rathod + Vanessa Brown,” Wall Street International, October 17, 2017.
“Must-Sees This Week: October 5 to 11, 2017,” Canadian Art, October 5, 2017.
“Anjuli Rathod &#38;amp; Vanessa Brown @ Projet Pangée,” Ratsdeville, October 2, 2017.
“Vernissages/Événements Autres Semaine Du 2 Au 9 Octobre 2017,” Magazine In Situ, October 2, 2017.
“The Far Off Blue Places at Projet Pangée,” Create! Magazine, September 26, 2017.
“Anjuli Rathod,” Slayer Gallery, December 27, 2016.
LUMINA Journal, Vol. XV. Sarah Lawrence College: Bronxville, NY, 2016.
Steinhauer, Jillian. "8 Artists to Watch from the 2015 Bushwick Open Studios," Hyperallergic, June 8, 2015.
Lee, Maggie. “Antonia Kuo and Anjuli Rathod,” Urban Outfitters Blog, 2011.</description>
		
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